「Audio Culture」の編集履歴（バックアップ）一覧はこちら

Audio Culture - (2007/04/04 (水) 02:35:01) の１つ前との変更点

追加された行は緑色になります。

削除された行は赤色になります。

*Audio Culture: Readings in Modern Music
Cox, Christoph and Daniel Warner eds. 2004
&italic(){Audio Culture: Readings in Modern Music.}
New York: Continuum.

**目次
-Theories
--Music and its Others: Noise, Sound, Silence
---Jacques Attali "Noise and Politics"
---Luigi Russolo "The Art of Noises: Futurist Manifesto"
---Morton Feldman "Sound, Noise, Varèse, Boulez"
---Edgard Varèse "The Liberation of Sound"
---Henry Cowell "The Joys of Noise"
---John Cage "The Future of Music: Credo"
---R. Murray Schafer "The Music of the Environment"
---Mark Slouka "Listening for Silence: Notes on the Aural Life"
---Mary Russo and Dan Warner "Rough Music, Futurism, and Postpunk Industrial Noise Bands"
---Simon Reynolds "Noise"
---"The Beauty of Noise: An Interview with Masami Akita of Merzbow"
--Modes of Listening
---Marshall McLuhan "Visual and Acoustic Space"
---Hanns Eisler & Theodor Adorno "The Politics of Hearing"
---Pierre Schaeffer "Acousmatics"
---Francisco Lopez "Profound Listening and Environmental Sound Matter"
---Ola Stockfelt "Adequate Modes of Listening"
---Brian Eno "Ambient Music"
---Iain Chambers "The Aural Walk"
---Pauline Oliveros "Some Sound Observations"
---J.K. Randall "Compose Yourself"
--Music in the Age of Electronic Reproduction
---Glenn Gould "The Prospects of Recording"
---Brian Eno "The Studio as Compositional Tool"
---John Oswald "Bettered by the Borrower: The Ethics of Musical Debt"
---Chris Cutler "Plunderphonia"
---Kodwo Eshun "Operating System for the Redesign of Sonic Reality"

-Practicies
--The Open Work
---Umberto Eco "Poetics of the Open Work"
---John Cage "Composition as Process: Indeterminacy"
---Christoph Cox "Visual Sounds: On Graphic Scores"
---Earle Brown "Transformations and Developments of a Radical Aesthetic"
---John Zorn "The Game Pieces"
---Anthony Braxton "Introduction to Catalog of Works 
--Experimental Musics"
---Michael Nyman "Towards (a Definition of) Experimental Music"
---John Cage "Introduction to Themes & Variations"
---Brian Eno "Generating and Organizing Variety in the Arts"
---Cornelius Cardew "Scratch Music Draft Constitution"
---David Toop "The Generation Game: Experimental Music and Digital Culture"
--Improvized Musics
---Ornette Coleman "Change of the Century"
---Derek Bailey "Free Improvization"
---Frederic Rzewski "Little Bangs: A Nihilist Theory of Improvization"
---George E. Lewis "Improvised Music After 1950: Afrological and Eurological Perspectives"
--Minimalisms
---Susan McClary "Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture"
---Kyle Gann "Thankless Attempts at a Definition of Minimalism"
---Steve Reich "Music as a Gradual Process"
---Wim Mertens "Basic Concepts of Minimal Music"
---Tony Conrad "LYssophobia: On Four Violins"
---Philip Sherburne "Digital Discipline: Minimalism in House and Techno"
--DJ Culture 
---László Moholy-Nagy "Production–Reproduction: Potentialities of the Phonograph"
---William S. Burroughs "The Invisible Generation"
---Christian Marclay & Yasunao Tone "Record, CD, Analog, Digital"
---Paul D. Miller "Algorithms: Erasures and the Art of Memory"
---David Toop "Replicant: On Dub"
---Simon Reynolds "Post-Rock"
--Electronic Music and Electronica
---Jacques Barzun "Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center"
---Karlheinz Stockhausen "Electronic and Instrumental Music"
---Karlheinz Stockhausen et al. "Stockhausen vs. the Technocrats"
---Ben Neill "Breakthrough Beats: Rhythm and the Aesthetics of Contemporary Electronic Music"
---Kim Cascone "The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music"

*Cox, Christoph and Daniel Warner eds. 2004 &italic(){Audio Culture: Readings in Modern Music.} New York: Continuum.
**目次
-Theories
--Music and its Others: Noise, Sound, Silence
---Jacques Attali "Noise and Politics"
---Luigi Russolo "The Art of Noises: Futurist Manifesto"
---Morton Feldman "Sound, Noise, Varèse, Boulez"
---Edgard Varèse "The Liberation of Sound"
---Henry Cowell "The Joys of Noise"
---John Cage "The Future of Music: Credo"
---R. Murray Schafer "The Music of the Environment"
---Mark Slouka "Listening for Silence: Notes on the Aural Life"
---Mary Russo and Dan Warner "Rough Music, Futurism, and Postpunk Industrial Noise Bands"
---Simon Reynolds "Noise"
---"The Beauty of Noise: An Interview with Masami Akita of Merzbow"
--Modes of Listening
---Marshall McLuhan "Visual and Acoustic Space"
---Hanns Eisler & Theodor Adorno "The Politics of Hearing"
---Pierre Schaeffer "Acousmatics"
---Francisco Lopez "Profound Listening and Environmental Sound Matter"
---Ola Stockfelt "Adequate Modes of Listening"
---Brian Eno "Ambient Music"
---Iain Chambers "The Aural Walk"
---Pauline Oliveros "Some Sound Observations"
---J.K. Randall "Compose Yourself"
--Music in the Age of Electronic Reproduction
---Glenn Gould "The Prospects of Recording"
---Brian Eno "The Studio as Compositional Tool"
---John Oswald "Bettered by the Borrower: The Ethics of Musical Debt"
---Chris Cutler "Plunderphonia"
---Kodwo Eshun "Operating System for the Redesign of Sonic Reality"

-Practicies
--The Open Work
---Umberto Eco "Poetics of the Open Work"
---John Cage "Composition as Process: Indeterminacy"
---Christoph Cox "Visual Sounds: On Graphic Scores"
---Earle Brown "Transformations and Developments of a Radical Aesthetic"
---John Zorn "The Game Pieces"
---Anthony Braxton "Introduction to Catalog of Works 
--Experimental Musics"
---Michael Nyman "Towards (a Definition of) Experimental Music"
---John Cage "Introduction to Themes & Variations"
---Brian Eno "Generating and Organizing Variety in the Arts"
---Cornelius Cardew "Scratch Music Draft Constitution"
---David Toop "The Generation Game: Experimental Music and Digital Culture"
--Improvized Musics
---Ornette Coleman "Change of the Century"
---Derek Bailey "Free Improvization"
---Frederic Rzewski "Little Bangs: A Nihilist Theory of Improvization"
---George E. Lewis "Improvised Music After 1950: Afrological and Eurological Perspectives"
--Minimalisms
---Susan McClary "Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture"
---Kyle Gann "Thankless Attempts at a Definition of Minimalism"
---Steve Reich "Music as a Gradual Process"
---Wim Mertens "Basic Concepts of Minimal Music"
---Tony Conrad "LYssophobia: On Four Violins"
---Philip Sherburne "Digital Discipline: Minimalism in House and Techno"
--DJ Culture 
---László Moholy-Nagy "Production–Reproduction: Potentialities of the Phonograph"
---William S. Burroughs "The Invisible Generation"
---Christian Marclay & Yasunao Tone "Record, CD, Analog, Digital"
---Paul D. Miller "Algorithms: Erasures and the Art of Memory"
---David Toop "Replicant: On Dub"
---Simon Reynolds "Post-Rock"
--Electronic Music and Electronica
---Jacques Barzun "Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center"
---Karlheinz Stockhausen "Electronic and Instrumental Music"
---Karlheinz Stockhausen et al. "Stockhausen vs. the Technocrats"
---Ben Neill "Breakthrough Beats: Rhythm and the Aesthetics of Contemporary Electronic Music"
---Kim Cascone "The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music"