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Audio Culture - (2007/04/03 (火) 22:16:30) の編集履歴(バックアップ)
Audio Culture: Readings in Modern Music
目次
- Music and its Others: Noise, Sound, Silence
- Jacques Attali, Noise and Politics
- Luigi Russolo, The Art of Noises: Futurist Manifesto
- Morton Feldman, Sound, Noise, Varèse, Boulez
- Edgard Varèse, The Liberation of Sound
- Henry Cowell, The Joys of Noise
- John Cage, The Future of Music: Credo
- R. Murray Schafer, The Music of the Environment
- Mark Slouka, Listening for Silence: Notes on the Aural Life
- Mary Russo and Dan Warner, Rough Music, Futurism, and Postpunk Industrial Noise Bands
- Simon Reynolds, Noise
- The Beauty of Noise: An Interview with Masami Akita of Merzbow
- Modes of Listening
- Marshall McLuhan, Visual and Acoustic Space
- Hanns Eisler & Theodor Adorno, The Politics of Hearing
- Pierre Schaeffer, Acousmatics [first English translation]
- Francisco Lopez, Profound Listening and Environmental Sound Matter
- Ola Stockfelt, Adequate Modes of Listening
- Brian Eno, Ambient Music
- Iain Chambers, The Aural Walk
- Pauline Oliveros, Some Sound Observations
- J.K. Randall, Compose Yourself
- Music in the Age of Electronic Reproduction
- Glenn Gould, The Prospects of Recording
- Brian Eno, The Studio as Compositional Tool
- John Oswald, Bettered by the Borrower: The Ethics of Musical Debt
- Chris Cutler, Plunderphonia
- Kodwo Eshun, Operating System for the Redesign of Sonic Reality
- The Open Work
- Umberto Eco, Poetics of the Open Work
- John Cage, Composition as Process: Indeterminacy
- Christoph Cox, Visual Sounds: On Graphic Scores
- Earle Brown, Transformations and Developments of a Radical Aesthetic
- John Zorn, The Game Pieces
- Anthony Braxton, Introduction to Catalog of Works
- Experimental Musics
- Michael Nyman, Towards (a Definition of) Experimental Music
- John Cage, Introduction to Themes & Variations
- Brian Eno, Generating and Organizing Variety in the Arts
- Cornelius Cardew, Scratch Music Draft Constitution
- David Toop, The Generation Game: Experimental Music and Digital Culture
- Improvized Musics
- Ornette Coleman, Change of the Century
- Derek Bailey, Free Improvization
- Frederic Rzewski, Little Bangs: A Nihilist Theory of Improvization
- George E. Lewis, Improvised Music After 1950: Afrological and Eurological Perspectives
- Minimalisms
- Susan McClary, Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture
- Kyle Gann, Thankless Attempts at a Definition of Minimalism
- Steve Reich, Music as a Gradual Process
- Wim Mertens, Basic Concepts of Minimal Music
- Tony Conrad, LYssophobia: On Four Violins
- Philip Sherburne, Digital Discipline: Minimalism in House and Techno
- DJ Culture
- László Moholy-Nagy, Production–Reproduction: Potentialities of the Phonograph’
- William S. Burroughs, The Invisible Generation
- Christian Marclay & Yasunao Tone, Record, CD, Analog, Digital
- Paul D. Miller, Algorithms: Erasures and the Art of Memory
- David Toop, Replicant: On Dub
- Simon Reynolds, Post-Rock
- Electronic Music and Electronica
- Jacques Barzun, Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center
- Karlheinz Stockhausen, Electronic and Instrumental Music
- Karlheinz Stockhausen et al., Stockhausen vs. the Technocrats
- Ben Neill, Breakthrough Beats: Rhythm and the Aesthetics of Contemporary Electronic Music
- Kim Cascone, The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music
