「Recorded Music in American Life」の編集履歴（バックアップ）一覧に戻る
*Kenney, William Howland 1999
*&italic(){Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945.}
*Oxford: Oxford University Press.
**目次
-Introduction: Recorded Music and Collective Memory
-1. Two "Circles of Resonance": Audience Uses of Recorded Music
-2. "The Coney Island Crowd": The Phonograph and Popular Recordings before World War I
-3. "His Master's Voice": The Victor Talking Machine Company and the Social Reconstruction of the Phonograph
-4. The Phonograph and the Evolution of "Foreign" and "Ethnic" Records
-5. The Gendered Phonograph: Women and Recorded Sound, 1890-1930
-6. African American Blues and the Phonograph: From Race Records to Rhythm and Blues
-7. Economics and the Invention of Hillbilly Records in the South 135
-8. A Renewed Flow of Memories: The Depression and the Struggle over "Hit Records"
-9 Popular Recorded Music within the Context of National Life
