「Sound Theory Sound Practice」の編集履歴（バックアップ）一覧に戻る
*Altman, Rick ed. 1992
*&italic(){Sound Theory Sound Practice.}
*London: Routledge.
**目次
-1. General Introduction: Cinema as Event
-2. The Material Heterogeneity of Recorded Sound
-Part One: Theoretical Perspectives
--Introduction: Four-and-a-half Film Fallacies
--3. Sound Space Rick Altman
--4. Reading, Writing, and Representing Sound Jim Lastra
--5. She Sang Live, but the Microphone was Turned Off: The Live, the Recorded, and the Subject of Representation Steve Wurtzler
--6. Wasted Words Michel Chion
-Part Two: Historical Speculations Introduction: Sound/History
--7. Conversion to Sound] Alan Williams
--8. Translating America: The Hollywood Multilinguals 1929-1933 Natasa Durovicova
--9.1950s Magnetic Sound: The Frozen Revolution John Belton
-Part Three: Neglected Domains
--Introduction: Sound's Dark Corners
--10. Women's Voices in Third World Cinema Amy Lawrence
--11. The Sound of Early Warner Bros. Cartoons Scott Curtis
--12. Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation Mary Pat Klimek
--13. Conventions of Sound in Documentary Jeff Ruoff
--14. Let There Be Sound: The Films of Andrei Tarkovsky Andrea Truppin
-Afterword: A Baker's Dozen of New Terms for Sound Analysis
