http://w.atwiki.jp/engtheatre18/ 18世紀イギリス演劇　18c British Dramas ja 2015-09-22T00:28:15+09:00 1442849295 https://w.atwiki.jp/engtheatre18/pages/29.html *Japan ***近代英語協会 (Modern English Association) http://www.modernenglish.jp/ ***日本ジョンソン協会(The Johnson Society of Japan) http://johnson.main.jp/jsj/ ---- *UK ***Sheffield Centre for Early Modern Studies (SCEMS) http://www13.atwiki.jp/englishlanguage/ covers the 'long' 16th, 17th, and 18th centuries. 2015-09-22T00:28:15+09:00 1442849295 https://w.atwiki.jp/engtheatre18/pages/28.html Elizabeth Inchbald (1753–1821) Backscheider, Paula R. 2014. "Retrieving Elizabeth Inchbald." in Th Oxford Handbook of the Georgian Theatre, 1737-1832. ed. J. Swindells & D. F. Taylor. Oxford: Oxford Unviersity Press, pp. 601-620. 2015-09-21T23:35:34+09:00 1442846134 https://w.atwiki.jp/engtheatre18/pages/27.html *Free corpora & e-texts ECCO-TCP SGML/XML-encoded texts from among the 150,000 titles available in the Eighteenth Century Collections Online (ECCO) database. http://www.textcreationpartnership.org/tcp-ecco/ *not free ARCHER http://www.alc.manchester.ac.uk/subjects/lel/research/projects/archer/ 2015-09-21T23:31:00+09:00 1442845860 https://w.atwiki.jp/engtheatre18/pages/26.html *The Beau Defeated; or, the Lucky Younger Brother (1700) Domínguez García, Beatriz. 1998. "Female Relationships in Mary Pix's The Beau Defeated." Sederi 8: 155-161. http://www.sederi.org/yb_08.htm 2015-09-21T01:58:47+09:00 1442768327 https://w.atwiki.jp/engtheatre18/pages/25.html Farquhar, George (1677-1707) Iwata, Miki. 岩田美喜. 2014. 「人類みな兄弟じゃないのかよ――ファーカーとシェリダンの戯曲に見る弟たちの変遷」日本ジョンソン協会編『十八世紀イギリス文学研究第五集　共鳴する言葉と世界』東京：開拓社. 2015-09-15T17:04:39+09:00 1442304279 https://w.atwiki.jp/engtheatre18/pages/24.html Joanna Baillie (1762-1851) Nakamura, Yuko. 中村裕子. 2012.「芝居を出版することについて—Joanna Baillieの「読者」への言葉—」『日本ジョンソン協会年報』（Annual Bulletin of the Johnson Society）36: 19-24. 2015-09-15T16:38:25+09:00 1442302705 https://w.atwiki.jp/engtheatre18/pages/23.html *The London Merchant 『ロンドン商人』 Hara, Eiichi. 原英一. 2011. 「徒弟制度とジョージ・リロの『ロンドン商人』」『日本ジョンソン協会年報』（Annual Bulletin of the Johnson Society） 35:　24-28. 2015-09-15T16:35:24+09:00 1442302524 https://w.atwiki.jp/engtheatre18/pages/22.html Emmett L. Avery. 1937. "Foreign Performers in the London Theaters in the Early Eighteenth Century", Philosophical Quarterly， 16: 122. Freeman, Lisa A. 2001. Character's Theater: Genre and Identity on the Eighteenth-Century English Stage. University of Pennsylvania Press. Hume, Robert D. 1983. The Rakish Stage: Studies in English Drama, 1660-1800. Carbondale: Southem Illinois University Press. Ribes, Purificación. 2006. "Country wives and country girls in eighteenth-century England . A history of theatrical rewriting." Sederi 16: 91-108. 2015-09-21T01:41:24+09:00 1442767284 https://w.atwiki.jp/engtheatre18/pages/21.html Battestin, Martin C. 1966. "Fielding and 'Master Punch' in Panton Street"， Philosophical Quarterly 45. Bevis, Richard. 1990. "Fielding's Normative Authors: 'Tom Jones' and the Rehearsal Play." Philological Quaterly 69.1: 55–70. Engetsu, Yuko. 2010. 「人の世は仮面舞踏会か演劇か―フィールディングの興行師ハイデッガー批判―」『十八世紀イギリス文学研究[第4号]―交渉する文化と言語』東京：開拓社. 374-. Hume, Robert D. 1988. Henry Fielding and the London Theatre 1728-1737. Oxford: Clarendon Press. Hunter, J. Paul. 1975. Occasional Form: Fielding and the Chains of Circumstance. Baltimore: The Johns Hopkins University Press.) Keymer, Thomas. 2007. "Fielding's Theatrical Career." In The Cambridge Companion to Henry Fielding, ed. Claude Rawson. Cambridge: Cambridge University Press, pp. 17-37. Lewis, Peter. 1987. Fielding's Burlesque Drama: Its Place in the Tradition. Edinburgh: Edinburgh University Press. Noguchi, Tatehiko. 能口盾彦. 2010. 「バラッド・オペラと政界抗争の舞台裏―フィールディングの場合―」『十八世紀イギリス文学研究[第4号]―交渉する文化と言語』東京：開拓社. 352-373. *The Author's Farce　（作者の笑劇 2016-05-22T03:05:45+09:00 1463853945 https://w.atwiki.jp/engtheatre18/pages/20.html *Colley Cibber **The Careless Husband ***Editions Appleton, William W. (ed.) (1966). The Careless Husband. London: Arnold. 2015-08-23T07:47:34+09:00 1440283654