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Welcome to Carrara

Welcome

• What's New in This Version
• Installation
• About Your Documentation
• Technical Support

Carrara Overview（Carraraの概要）

• Carrara Overview

Creating Scenes

• Using the Scene Wizard
• Using the Landscape Wizard
• Creating an Empty Scene
• Opening an Existing File

Carrara’s Rooms

• Assemble Room
• Model Room
• Storyboard Room
• Texture Room
• Render Room

Carrara Interface Elements

• Carrara Menus
• Carrara Tools
• Document Window
• Browser Tray
• Properties Tray
• Sequencer Tray
• The Interactive Renderer

Displaying the Carrara Application Windows

Setting up Carrara（Carraraの設定）

Setting Carrara Preferences

• Setting Application Preferences
• Setting General Preferences
• Setting UI Effects Preferences
• Changing Keyboard Shortcuts
• Setting Imaging and Scratch Disk Preferences
• General Scene Settings Preferences
• Setting Units of Measurement in the Properties Tray
• OpenGL Preferences
• File Format Preferences
• Interface Settings Preferences
• User Interface Color Preferences
• 3D View Preferences
• 3D View Color Preferences
• Modeling Room Preferences
• Shader Editor Preferences
• Shading Room Preferences
• Resetting Application Preferences

Adding Objects

Assemble Room Overview

• Assemble Room Menu Commands and Tools

Working with the Common Tools

• Customizing Tool Locations
• 3D Object Manipulation Tools
• Camera Tools
• 2D View Tools

Using the Document Window

• Displaying Multiple Camera Views

Using the Working Box

• Object Bounding Boxes and Projections
• Choosing the Acrive Plane
• Changing the Working Box
• Aligning the Working Box to an Object
• Aligning the Working Box to Specific Coordinates
• Returning the Working Box to its Origin

Changing the Grid

Choosing a Preview Mode

Using the Properties Tray

Choosing Interactive Renderer (3D Preview) Settings

Using the Sequencer Tray

Editing Your Scene’s contents

• Undoing Operations
• Redoing Operations
• Saving Your File
• Closing Your File

Using Content Files

The Browser Tray

• Showing and Hiding the Browser
• Choosing Your Display Mode

Using the Browser File Menu

• Displaying File Information
• Deleting Files
• Duplicating Files
• Editing Files
• Adding Folders
• Removing Folders
• Updating Folders
• Updating Folders

Browser Tabs

• Browser Tray:Scenes Tab
• Browser Tray: Objects Tab
• Browser Tray: Shaders Tab
• Browser Tray: Clip Tab
• Browser Tray: Misc Tab
• Browser Tray: Artwork Tab

Using Content and Runtime Folders

• Adding Runtime Folders
• Using Content Runtime Folders
• Adding Content: Special Notes

Using Environmental Primitives

Creating Terrains

The Filter Layers List

The Terrain Properties

The 3D Preview

Creating a Custom Terrain

Filter Reference

• Generators
• Filters
• Advanced Generators

Terrain Shading

Creating Plants

• General Properties
• Manipulation Mesh Settings
• Trunk Properties
• Branch Properties
• Leaf Properties
• Tree Shape Parameters
• Experts Plant Parameters

Creating Clouds

Volumetric Clouds

• Light to Use
• The Shape Panel
• General Properties Panel
• The 3D Preview

Volume Clouds

Old Volumetric Clouds

Fire Primitive

Creating Fountains

Creating Fog

Creating Oceans

Import/Export

Importing 3D Objects

• 3D Studio (3DS Import)
• 3DMF Import
• Biovision BVH Import
• DAZ Studio (DAZ format)
• DXF Import
• DirectX Import
• Filmbox FBX Import
• LightWave (LWO Import)
• WaveFront OBJ Import

Poser Native Import

• Importing Poser Cameras (CM2/CMZ)

Importing a Poser Character (CR2/CRZ)

• Importing Options in the Properties Tray
• Conforming Clothing

Importing Poser Hair (HR2/HRZ)

Importing Poser Lights (LT2/LTZ)

Importing Poser Props (PP2/PPZ)

Importing a Poser Scene (PZ3/PZZ)

Realviz XML Import

SynthEyes(TM) Import

TrueSpace Import

CAD Formats

Other Formats

Exporting 3D Objects

• 3DS Export
• 3DMF Export
• Adobe After Effects Export
• DXF Export
• DirectX Export
• Kaydara FBX Export
• ShockWave3D Export
• VRML Export
• Wavefront OBJ Export

Exporting 3D Objects

VET (Viewpoint Experience Technology) Export

• Exporting a Scene
• Previewing a Scene

VET Export Options

Getting Results

VET Animators

VET Interactors

Current Limitations

Modeling Objects

Using Primitive Tools

• Using Geometric Primitives

3D Primitive Tools

• Sphere Primitives
• Cube Primitives
• Cone Primitives
• Cylinder Primitives
• Icosahedron Primitives

2D Primitive Tools

• Planes
• Creating Infinite Planes
• Shading Infinite Planes
• Splat Primitive

Creating Text Objects

Creating Particle Systems

• Editing Particle Settings

Basic Particle Settings

• Particle Shape and Quantity
• Particle Placement
• Particle Life
• Particle Shading
• Particle Emission

Advanced Particle Settings

• Particle Physics
• Particle Spawning

Previewing the Particle System

Shading the Particle System

Working with Particles in 3D View

Using the Blur Object Effect on Particles

Vertex Modeling Overview

Vertex Modeling Concepts

The Vertex Modeling Window

• Opening the Vertex Modeling Window
• The Vertex Modeler 3D View
• The Drawing Plane
• Setting Preferences for the Vertex Modeler

Working with the Modeling Window

• Showing and Hiding Planes
• Changing the Active Plane
• Changing the Drawing Plane

Changing Your Point of View

Previewing Objects

Vertex Modeling Basics

Using the Vertex Primitives

Inserting 3D Vertex Objects

• 3D Spheres
• 3D Cubes
• 3D Cones
• 3D Cylinders
• Polyhedrons
• 3D Grid
• 3D Rectangle
• 3D Oval
• 3D Polygon

Inserting 2D Vertex Objects

Drawing Polylines

• Converting Closed Polylines to Polygons

Drawing Interpolated Curves

Drawing Curves

Drawing Rectangles

Drawing Circles

Working with Selections

• Selection Tools

Vertex Modeler Selection Modes

• Choosing a Selection Mode
• Selecting Vertices
• Selecting Edges
• Selecting Adjoining Edges
• Selecting Polygons
• Selecting Objects
• Soft Selections
• Viewing Selection Statistics

Selection Menu Commands

• Saving Selections
• Restoring Selections
• Working with Named Selections
• Hiding Selections

Deselecting Items

Using the Properties Tray Selection Tools

• Looping from a Selection
• Ring from Selection
• Selecting Between (or Select Connect)
• Inverting the Current Selection
• Shrinking Selections
• Growing Selections

Working with Vertices and Edges

• Using the Magnet to Attract Vertices
• Repositioning Vertices Numerically
• Deleting Vertices
• Adding Vertices

Welding Vertices

• Using the Weld Command
• Using the Weld Tool
• Using the Target Weld Tool

Linking and Unlinking Vertices

Deleting Edges

Deleting Polygons

Detaching Polygons

Advanced Edge Tools

• Quick Fillet
• Extract Around
• Extract Along
• Move Along

Working with Objects

Transforming Objects and Selections

• The 3D Manipulator
• The Move Manipulator
• The Scale Manipulator
• The Rotate Manipulator

The Universal Manipulator

• 3D Manipulator Properties

Moving Objects to the Drawing Plane

Converting Spline and Metaball Objects

Duplicating Objects

Duplicating Objects with Symmetry

Replicating Objects or Selections

Aligning Objects

Flipping Objects

Checking Object Properties

Editing Selection Properties

Using an Image as a Model

Basic Vertex Modeling Functions

Changing an Object's Definition

• Subdividing an Object
• Tesselating Objects
• Decimating an Object
• Triangulating and Untriangulating Polygons

Cleaning Topology

• Triangulating Non-Planar Faces
• Triangulating N-Gons
• Removing Duplicate Points
• Merging Coplanar Faces

Creating and Filling Holes in an Object

Closing a Curve

Extracting Edges from Curves

Modifying the Polygon Normals

Flattening Objects

Adding Thickness to an Object

Offsetting an Object’s Surface

Filleting Vertices or Edges

Using the Bridge Tool

Working With Subdivision Surfaces

• Subdividing a Polymesh
• Edge Creasing

Symmetrical Modeling

Displacement Painting

• Showing, Hiding and Deleting Displacement
• Using the Displacement Painting Tool
• Exporting Your Displacement Map

Using Morph Targets

• Defining a Morph Area
• Creating Morph Targets
• Editing Morph Targets
• Animating Morph Targets in the Model Room
• Animating Morph Targets in the Assemble Room

Using Morph Targets on DAZ/Poser Figures

• Creating Figure Morph Targets
• Editing Figure Morph Targets
• Exporting Figure Morphs
• Importing Figure Morphs

Vertex Modeling Techniques

Carrara’s Construction Tools

Extruding Cross-Sections

Dynamic Extrusions

• Normal Extrusions
• Parallel Extrusions
• Irregular Extrusions
• Regular Extrusions

Path Sweep

Lathing with Polygon and Polyline Profiles

Lofting with Polyline Cross-Sections

Creating Organic Models

Ruled Surface

Coons Surface

Gordon Surface

Double Sweep Surface

Using Boolean Operations

Boolean Unions

Boolean Intersections

• Intersection
• Surface 1 Intersects Volume 2
• Surface 2 Intersects Volume 1
• Surface 1 Intersects Surface 2

Boolean Subtractions

• Volume 2 Cut by Volume 1
• Volume 1 Cut by Volume 2
• Surface 1 Cut by Volume 2
• Surface 2 Cut by Volume 1
• All Parts
• All Parts of Object 2
• All Parts of Object 1

Using the Cut Tool

Shading Vertex Objects

Creating Shading Domains on a Vertex Object

Specifying an Object's Mapping Mode

• Setting a Predefined Mapping
• Setting a Custom Mapping

Editing Custom UV Values

• The UV Editor 3D View
• The UV Editor 2D View
• The UV Editor Edit Panel
• The UV Editor Projection Panel
• The UV Editor Display Panel

Spline Modeling Overview

Spline Modeling Concepts

Choosing a Spline Modeling Technique

The Spline Modeling Window

The Spline Modeler 3D View

The Drawing Plane

Cross-Section Planes

• The Sweep Path
• The Extrusion Envelope

Setting Preferences for the Spline Modeler

Opening the Spline Modeling Window

Working with the Modeling Window

• Resizing the Modeling Box

Changing Your Point of View

Previewing Objects

Spline Modeling Tools and Techniques

Spline Modeling Tools and Techniques

Creating Shapes and Objects

• Working on the Drawing Plane
• Inserting Primitive Shapes
• Drawing Shapes

Editing Shapes

Breaking Apart Text Objects

• Working with Shapes
• Importing 2D Shapes
• Grouping Shapes
• Scaling Shapes
• Moving Shapes
• Rotating Shapes
• Beveling Shapes
• Centering Selections
• Setting Object Properties

Setting Surface Fidelity

Working with Cross-Sections

• Creating and Removing Cross-Sections

Generating Intermediate Cross-Sections

Moving Among Cross-Sections

Displaying Cross-Sections

Centering Cross-Sections

Compounding Shapes

Filling and Emptying Cross-Sections

Modeling with Multiple Cross-Sections

• Numbering Shapes
• Disconnecting Cross Sections
• Setting Skinning Options

Twisting An Object

Adding Bevels to a Cross-Section

Working with the Sweep Path

Drawing a Sweep Path in 3D

Cross-Sections and the Sweep Path

Translation vs. Pipeline

Using Extrusion Presets

• Working with Spirals
• The Torus Extrusion Preset

Using the Extrusion Envelope

Understanding the Envelope

• How the Envelope Relates to the Sweep Path
• How the Envelope Relates to Cross-Sections

Using the Envelope

Lathing

• Lathing with the Extrusion Envelope
• Lathing with a Circular Sweep Path

Metaball Modeling

The Metaball Modeling Window

The Metaball Modeler's 3D View

The Ghost Menu

Setting Preferences for the Metaball Modeler

Opening the Metaball Modeling Window

Working with the Modeling Window

• Changing the Drawing Plane

Changing Your Point of View

• Previewing Objects

Creating Metaball Objects

• Inserting Blob Primitives
• Selecting Blobs
• Moving Blobs
• Resizing Blobs
• Rotating Blobs
• Duplicating Blobs
• Blending Blobs

Setting Surface Fidelity

Putting It AllTogether

Arranging Objects

Adding and Deleting Objects

• Hiding and Showing Objects

Selecting Objects

• Selecting with the Manipulator Tools
• Selecting Objects in the Hierarchy

Moving the Hot Point

• Dragging the Hot Point
• Moving the Hot Point Numerically
• Centering the Hot Point

Viewing and Setting Object Properties

• Naming Objects
• Arranging and Scaling Objects Numerically
• Mirroring an Object's Orientation

Positioning Objects

• Dragging Objects
• Moving Objects with the Manipulators
• Centering Objects in the Universe
• Nudging with the Keyboard

Scaling Objects

• Scaling an Object by Dragging
• Scaling an Object with the Manipulators

Rotating Objects

• Using the Manipulators to Rotate

Arranging Objects with Constraints

Arranging Objects Without Modifying its Children

Aiming Cameras and Lights

Aligning Objects

Working with Objects

Jumping into Groups and Editing Objects

Editing an Object in a Different Modeler

Building a Hierarchical Structure

Navigating the Hierarchy

Changing the Structure

Groups and Links

Grouping Objects

• Opening and Closing Groups
• Group Bounding Boxes
• Jumping In and Out

Linking Objects

• Applying Constraint Properties
• Types of Constraints
• Setting Constraint Controls
• Controlling Constraints Directly
• Building Chains of Constraints

Collision Detection

Working with Master Objects

Creating an Instance of a Master Object

Objects and Masters in the Hierarchy

• Editing an Instance

Master Object Operations

Changing an Object's Symmetry

• The Symmetry Plane
• Splitting Objects

Duplicating Objects

Replicating Objects

• The Replicator
• The Surface Replicator
• Using the Replicators

Using the Counter

Modifiers

Applying Modifiers

• Applying Modifiers in the Model Room
• Controlling a Modifier Directly
• Bend and Twist
• Bulge
• Explode
• Formula
• Punch
• Stretch

Basic Deformations

• Offset
• Rotate
• Scale
• Shatter
• Shear
• Taper

Complex Deformations

• Atomize
• Black Hole
• Dissolve
• Spherical Morph
• Spike
• Warp

Behavior Modifiers

• Bounce
• Point At
• Shake
• Spin
• Track

Waves

• Circular Wave
• Linear Wave
• Wave

Smart Pack

• Morpher
• Noise Deformer

Using Formulas in Carrara

Creating Formula Objects

Creating Formula Items

• Formula Controls
• Editing Formulas
• Formula Operators
• Constants
• Animatable Input Parameters
• Variables

Using Scene Effects

Ambient

Atmosphere

Cloudy Fog

Distance Fog

Realistic Sky

Using the Realistic Sky Atmosphere Editor

Sky

• Using the Sky Atmosphere Editor

Backgrounds and Backdrops

• None
• Bi Gradient Controls
• Color Controls
• Formula Controls
• HDRI Controls
• Map Controls
• Movie Controls
• Flash Controls
• Casting Shadows on Background Objects

Adding Sound to Your Scene

Setting Cameras

Cameras for Viewing and Rendering

Creating and Setting Cameras

Creating a Camera

Setting Camera Properties

Carrara's Cameras

The Conical Camera

• Conical Camera Lenses
• Distortions of the Conical Camera

The Isometric Camera

The Spherical Camera

Working with Multiple Cameras

• Changing Views
• Selecting a Camera

Positioning and Aiming Cameras

Camera Navigation

• Tracking
• Dollying
• Panning
• Banking

Pointing a Camera at an Object

• The Point At Command
• The Point At Modifier

Controlling a Camera Directly

Saving and Using Camera Positions

Cameras and Rendering

• The Camera's Field of View
• Viewing the Production Frame
• Setting the Production Frame Safe Area
• Using the Depth of Field Effect

Setting Lights

Lighting Concepts

• Three-Point Lighting
• Other Lighting Arrangements

Working with Lights

• Setting Light Properties
• Setting Common Light Characteristics
• Viewing Lighting Effects

Carrara’s Light Types

• Anything Glows
• Bulb Lights
• Distant Lights
• Moon Light
• Shape Lights
• Spot Lights
• Sun Light
• Tube Lights
• Setting up Environmental Lighting
• Setting Master Lights Characteristics

Shadow Options

• Enabling and Disabling Shadows on Objects
• Raytraced Shadows
• Shadow Buffers

Positioning and Aiming Lights

Positioning Lights by Dragging

Pointing a Light at an Object

• The Point At Command
• The Point At Modifier

Controlling Lights Directly

Using Gels

• Blinds Options
• Formula Options
• Gradient Options
• Map Options

Light Effects

• Using the Preview
• CrossScreen
• Glow
• Nebula
• Pulsator
• Stars
• VarioCross

Light Cone

Light Sphere

Lens Flare

Working with Shaders

Shading

Thinking about Textures as Shaders

What are Shaders?

• How Shaders Work
• Master Shaders

The Object Surface

• Shading Domains

The Texture Room

The Shader Tree Editor

• Previewing the Shader
• Navigation in the Tree
• Wizard
• Multiple Editors

Shader Preview Window

Layer Tools

Managing Shaders

Previewing Shading

Learning from Existing Shaders

Shading Objects

Shading an Entire Object

Shading Part of an Object

Objects with Multiple Shading Domains

Layer Shaders

• Using Layer Shader Tools

Working with Layers

Layering: How Layer Shaders Interact

• Editing Layer Shaders

Mapping Shaders

Texture Maps

• More on Master Shaders

Modifying the Default Shader for a Scene

Creating and Editing Shader Trees

Shader Structure and Content

Shader Tree

Shader Channels

Shader Components

Basic Components

Operators

Function Components

Lighting Models

Mapping Components

Layers List Component

• Layer Components
• Reference Shader Component
• Multi-Channel Shader
• Multi-Channel Mixer Shader

Using Other Components as Functions

Building and Editing Shaders

• Editing Master Shader Names
• Navigating the Shader Tree
• Editing the Shader Tree

Shader Recipes

• Chrome
• Ice
• Pine
• Beach Ball

Shader Channels Reference

Color

Alpha

• Texture Map with Alpha Channel

Highlight and Shininess

Bump

Reflection

Transparency

Refraction

Glow

Subsurface Scattering

Displacement Mapping

• Using Subdivision with Displacement Shaders
• Using Texture Maps for Displacement

Shader Transforms

Shader Components Reference

Color Pickers

• CMYK Sliders
• Color Mixer
• HLS Wheel
• Lab Sliders
• RGB Sliders
• RGB Wheel
• Web Colors

Choosing Components

Common Shader Components

None

Color

Color Gradient

Flash Shader

Index of Refraction

Single Channel

Texture Map

• Using Color Images as Texture Maps
• Black & White and Grayscale Images as Texture Maps

Value

Operators

• Add (+)
• Curve Filter
• Mixer
• Multiply (*)
• Overlay
• Subtract (-)

Functions

Pattern Functions

Bricks

Caution

Checkers (and Stripes)

Formula

Gradient

Plank Shader

Psychedelic

Scanlines

Spherical Gradient

Squares

Tile

Wires

Natural Functions

• Cellular
• Fire
• Lumber Yard
• Marble
• Snow
• Spots
• Water: Ripples
• Water: Waves
• Wood

Terrain Distribution

Projection Mapping

• Cylindrical and Spherical Mapping Shader
• Flat Mapping Shader
• Parametric Mapping

Environment Functions

Slope

Elevation

Noise Functions

Fractal Noise

Noise

Noise Factory

Turbulence

Hair

Layer Components

Animating

Animating

What is Animation?

• Animatable Properties
• Steps to Creating an Animation

Animation Principles

Simplifying Your Scenes

Motion and Timing Principles

• Squash and Stretch
• Lag and Overlap
• Arc vs. Straight-Line Movement
• Secondary Motion
• Anticipation and Follow-through
• Exaggeration
• Timing
• Compression

Key Frame Animation

• Tweeners

Animation Features of the Sequencer Tray

Hierarchy List

• Collapsing/Expanding the Hierarchy
• Displaying Specific Time Lines in the Hierarchy List

Frame Rate Selector

Time Information

• Allocated Time

Elements of the Time Line

The Time Ruler

The Current Time Bar

Time Scale and Frame Rate

Key Frames and Tweeners in the Sequencer Tray

• Key Frames and Tweener Markers on the Time Line
• Key Frames and the Hierarchy

Overlapping Key Frame Markers

Animation Preview Controls

Animation Preview Tips

Storyboarding

Features of the Storyboard Room

• Working with Key Frames and Tweeners
• Changing the Number of Key Frames
• Changing Frames per Second Displayed
• Changing the Camera

Creating Explicit Key Frames

Adding Key Frames

Editing the Time Line

Editing Key Frames

• Deleting Key Frame Markers
• Changing the Timing of Key Frames
• Duplicating Key Frames
• Nudging Key Frame Markers
• Stretching a Series of Key Frames over Time
• Key Frame Actions

Using Tweeners

What is a Tweener?

• Applying the Tweener
• Bezier Tweener
• Discrete Tweener
• Formula Tweener
• Linear Tweener
• Noise Tweener
• Oscillate Tweener
• Spline Tweener

Graph Editor

Mini-graph Editor

Graph Editor

Editing Key Frames in the Graph Editor

Editing Tangents

• Tangent Presets
• Half-tangents
• Editing Tangents Control Points
• Notes on Tangents

Additional Animation Features

Animation Techniques

Explicit Motion Method

Animating with Rotation

Duplicating Relative Motion with Groups

Rotoscoping

• Synchronizing Movie Frames with Animation and Looping

Motion Paths

• Creating Motion Paths
• Moving the Motion Path
• Modifying Motion Paths
• Editing Points
• Banking and Aligning Objects
• Motion Path Coordinate System

Non-Linear Animation

Creating an Animation Group

Track and Clip Menu Commands

Using NLA Tracks

• Adding NLA Animation Tracks
• Animation Track Properties

Using NLA Clips

• Creating Editable Clips
• Adding Animation to Editable Clips
• Clip Properties
• Creating Master Clips
• Using Existing Master Clips
• Blending Animation Clips

Physics

Physics and Key Frames

About Key Frames in Physics

Applying Physics to an Object

• Physics Controls
• Physics Effects

Adding Forces to the Scene

• Units of Measurement for Forces
• Directional Force and Effects
• Point Force and Effects
• Damping Force and Effects
• Torque Force and Effects
• Flow Force and Effects

Physics Settings

Animating in Other Rooms

Animating an Object's Shape

Animating an Object's Shape

Animating Vertex Objects

Animating Metaball Objects

Animating Environmental Primitives

Animating Object Motion

• Cloaking an Object

Animating Shaders

• Animating Shaders with the Multi-Channel Mixer
• Rotoscoping in Non-Color Shader Channels

Animating with Modifiers

• Types of Modifiers

Character Animation

Working with Bones

• The Bone Tool
• Selecting a Bone
• Changing the Size of a Bone

Working with Joints

• Orienting Joints Automatically
• Orienting a Joint Manually

Working with Skeletons

• Attaching a Skeleton
• Detaching a Skeleton
• Restoring Bones to Their Original Positions

Inverse Kinematics

Tracking an Object

IK Terminators

IK Chains

• Representation of IK Chains
• Limitations of IK Chains

IK Target

Editing the Bones Influences

Using the Weight Painting Tool

• Editing the Influences with the Weight Painting Tool
• Weight Painting on DAZ/Poser Figures
• Saving Modified Weight Maps
• Loading Modified Weight Maps

Editing the Influences Over One or Many Vertices

• Examples of Influence

Dynamic Hair and Fur

About Dynamic Hair

Step 1: Add Hair to an Object

• Managing Density Maps

Step 2: Create Hair Groups and Grow Regions

• Adding Hair to Selected Shading Domains
• Adding Hair to Selected Shading Domains

Step 3: Assign General Hair Properties

• Setting Hair Length, Thickness, and Rendering Quality
• Naming, Hiding, and Showing Hair Groups
• Controlling Hair Segments and Hair Count
• Guide Hairs Options
• Parting and Grouping Hair

The Hair Toolbar and Tool Tab

Symmetrical Hair Styling

Common Tool Settings

Density Add Tool and Density Remove Tool

Density Paint Tool

Hair Length Tool

Brush Tool

• Screen Mode Options
• Surface Mode Options

Straighten Tool

• Screen Mode Options
• Surface Mode Options
• Selection Mode Options

Hair Cut Tool

Push Tool

Smooth Tool

Curl Tool

Clump Tool

Reset Shape

Even Hair Segments

Drape

Symmetrize

Paint Selection Tool

Add Guide Hair Tool

Remove Guide Hair Tool

Dynamics Tab

• Dynamics Properties
• Simulation
• Forces

Assemble Room Hair Properties

• General Properties
• Hair Properties

Using Hair Shaders and Presets

• Controlling Hair Color with Shaders
• Styling Hair with Shaders

Creating Hair on a Human Figure

Rendering

Rendering

About Rendering

• Steps Before You Render

Using the Render Room

The Render Tray

Batch List

• Current Scene Selections
• Batch Queue Selections
• The Image Window

The Properties Tray

Rendering the Current Scene

Rendering from a Batch List

Rendering Preferences

Network Rendering

• Setting up a Network
• Rendering on a Network
• Troubleshooting Network Rendering

Using Post Render Filters

Rendering with an Aura

Rendering with Glare

Motion Blur

• Using Motion Blur
• Vector and 3D Motion Blur
• Motion Blur at time 0

Cartoon Rendering

• Getting started with Toon!

Rendering Effects

The Rendering Procedure

Enhancing the Rendering

Speeding up Rendering

• Computer System Optimization

Selecting Output Settings

• Image Size
• Rendering Camera
• File Format
• The Alpha Channel
• Name File

G-Buffers

• G-Buffer Options

Choosing Movie Compression Settings

• Macintosh Compression Options
• AVI Compression Options

Rendering Statistics

• Scene Info
• Rendering Progress
• Animation Progress
• Renderer Statistics

Rendering Engines

Draft Renderer

Photorealistic Renderer

Ray Tracing Settings

Gamma Correction

Global Illumination

• Sky Light
• Indirect Lighting
• Ambient Occlusion
• Area Light Sources
• Irradiance Maps
• Load/Save Irradiance Maps
• Settings
• Troubleshooting Global Illumination
• Speeding up Global Illumination

Caustics

• Overview
• Settings

Misc Settings

Non-Photorealistic Renderer

Overview

Basic Concepts

NPR Parameters

• Global Parameters
• Layer Parameters

Appendix

Glossary

Tutorials

• Setting up Your Workspace
• Creating a New Tree
• Tutorial: Aligning Objects
• Tutorial: Duplicating Objects
• Tutorial: Compound Shapes
• Tutorial: Twisting
• Tutorial: Bevel
• Tutorial: Drawing a Sweep Path in 3D
• Tutorial: Spirals
• Tutorial: Working with a Circular Sweep Path
• Tutorial: Using Negative and Positive Blobs
• Tutorial: Create a Teddy Bear
• Tutorial: Overlay
• Tutorial: Environment
• Tutorial: Grouping
• Tutorial: Creating a Motion Path
• Tutorial: Applying a Force to an Object
• Tutorial: Animating Shaders
• Tutorial: Character Animation

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