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Carrara6 @ ドキュメント日本語化計画

Carrara6 @ ドキュメント日本語化計画

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Welcome to Carrara

Welcome

Carrara Overview（Carraraの概要）

Carrara Overview

Creating Scenes

Carrara’s Rooms

Carrara Interface Elements

Displaying the Carrara Application Windows

Setting up Carrara（Carraraの設定）

Setting Carrara Preferences

Adding Objects

Assemble Room Overview

Assemble Room Menu Commands and Tools

Working with the Common Tools

Using the Document Window

Displaying Multiple Camera Views

Using the Working Box

Changing the Grid

Choosing a Preview Mode

Using the Properties Tray

Choosing Interactive Renderer (3D Preview) Settings

Using the Sequencer Tray

Editing Your Scene’s contents

Using Content Files

The Browser Tray

Using the Browser File Menu

Browser Tabs

Using Content and Runtime Folders

Using Environmental Primitives

Creating Terrains

The Filter Layers List

The Terrain Properties

The 3D Preview

Creating a Custom Terrain

Filter Reference

Terrain Shading

Creating Plants

Creating Clouds

Volumetric Clouds

Volume Clouds

Old Volumetric Clouds

Fire Primitive

Creating Fountains

Creating Fog

Creating Oceans

Import/Export

Importing 3D Objects

Poser Native Import

Importing Poser Cameras (CM2/CMZ)

Importing a Poser Character (CR2/CRZ)

Importing Poser Hair (HR2/HRZ)

Importing Poser Lights (LT2/LTZ)

Importing Poser Props (PP2/PPZ)

Importing a Poser Scene (PZ3/PZZ)

Realviz XML Import

SynthEyes(TM) Import

TrueSpace Import

CAD Formats

Other Formats

Exporting 3D Objects

Exporting 3D Objects

VET (Viewpoint Experience Technology) Export

VET Export Options

Getting Results

VET Animators

VET Interactors

Current Limitations

Modeling Objects

Using Primitive Tools

Using Geometric Primitives

3D Primitive Tools

2D Primitive Tools

Creating Text Objects

Creating Particle Systems

Editing Particle Settings

Basic Particle Settings

Advanced Particle Settings

Previewing the Particle System

Shading the Particle System

Working with Particles in 3D View

Using the Blur Object Effect on Particles

Vertex Modeling Overview

Vertex Modeling Concepts

The Vertex Modeling Window

Working with the Modeling Window

Changing Your Point of View

Previewing Objects

Vertex Modeling Basics

Using the Vertex Primitives

Inserting 3D Vertex Objects

Inserting 2D Vertex Objects

Drawing Polylines

Converting Closed Polylines to Polygons

Drawing Interpolated Curves

Drawing Curves

Drawing Rectangles

Drawing Circles

Working with Selections

Selection Tools

Vertex Modeler Selection Modes

Selection Menu Commands

Deselecting Items

Using the Properties Tray Selection Tools

Working with Vertices and Edges

Welding Vertices

Linking and Unlinking Vertices

Deleting Edges

Deleting Polygons

Detaching Polygons

Advanced Edge Tools

Working with Objects

Transforming Objects and Selections

The Universal Manipulator

3D Manipulator Properties

Moving Objects to the Drawing Plane

Converting Spline and Metaball Objects

Duplicating Objects

Duplicating Objects with Symmetry

Replicating Objects or Selections

Aligning Objects

Flipping Objects

Checking Object Properties

Editing Selection Properties

Using an Image as a Model

Basic Vertex Modeling Functions

Changing an Object's Definition

Cleaning Topology

Creating and Filling Holes in an Object

Closing a Curve

Extracting Edges from Curves

Modifying the Polygon Normals

Flattening Objects

Adding Thickness to an Object

Offsetting an Object’s Surface

Filleting Vertices or Edges

Using the Bridge Tool

Working With Subdivision Surfaces

Symmetrical Modeling

Displacement Painting

Using Morph Targets

Using Morph Targets on DAZ/Poser Figures

Vertex Modeling Techniques

Carrara’s Construction Tools

Extruding Cross-Sections

Dynamic Extrusions

Path Sweep

Lathing with Polygon and Polyline Profiles

Lofting with Polyline Cross-Sections

Creating Organic Models

Ruled Surface

Coons Surface

Gordon Surface

Double Sweep Surface

Using Boolean Operations

Boolean Unions

Boolean Intersections

Boolean Subtractions

Using the Cut Tool

Shading Vertex Objects

Creating Shading Domains on a Vertex Object

Specifying an Object's Mapping Mode

Editing Custom UV Values

Spline Modeling Overview

Spline Modeling Concepts

Choosing a Spline Modeling Technique

The Spline Modeling Window

The Spline Modeler 3D View

The Drawing Plane

Cross-Section Planes

Setting Preferences for the Spline Modeler

Opening the Spline Modeling Window

Working with the Modeling Window

Resizing the Modeling Box

Changing Your Point of View

Previewing Objects

Spline Modeling Tools and Techniques

Spline Modeling Tools and Techniques

Creating Shapes and Objects

Editing Shapes

Breaking Apart Text Objects

Setting Surface Fidelity

Working with Cross-Sections

Creating and Removing Cross-Sections

Generating Intermediate Cross-Sections

Moving Among Cross-Sections

Displaying Cross-Sections

Centering Cross-Sections

Compounding Shapes

Filling and Emptying Cross-Sections

Modeling with Multiple Cross-Sections

Twisting An Object

Adding Bevels to a Cross-Section

Working with the Sweep Path

Drawing a Sweep Path in 3D

Cross-Sections and the Sweep Path

Translation vs. Pipeline

Using Extrusion Presets

Using the Extrusion Envelope

Understanding the Envelope

Using the Envelope

Lathing

Metaball Modeling

The Metaball Modeling Window

The Metaball Modeler's 3D View

The Ghost Menu

Setting Preferences for the Metaball Modeler

Opening the Metaball Modeling Window

Working with the Modeling Window

Changing the Drawing Plane

Changing Your Point of View

Previewing Objects

Creating Metaball Objects

Setting Surface Fidelity

Putting It AllTogether

Arranging Objects

Adding and Deleting Objects

Hiding and Showing Objects

Selecting Objects

Moving the Hot Point

Viewing and Setting Object Properties

Positioning Objects

Scaling Objects

Rotating Objects

Using the Manipulators to Rotate

Arranging Objects with Constraints

Arranging Objects Without Modifying its Children

Aiming Cameras and Lights

Aligning Objects

Working with Objects

Jumping into Groups and Editing Objects

Editing an Object in a Different Modeler

Building a Hierarchical Structure

Navigating the Hierarchy

Changing the Structure

Groups and Links

Grouping Objects

Linking Objects

Collision Detection

Working with Master Objects

Creating an Instance of a Master Object

Objects and Masters in the Hierarchy

Editing an Instance

Master Object Operations

Changing an Object's Symmetry

Duplicating Objects

Replicating Objects

Using the Counter

Modifiers

Applying Modifiers

Basic Deformations

Complex Deformations

Behavior Modifiers

Waves

Smart Pack

Using Formulas in Carrara

Creating Formula Objects

Creating Formula Items

Using Scene Effects

Ambient

Atmosphere

Cloudy Fog

Distance Fog

Realistic Sky

Using the Realistic Sky Atmosphere Editor

Sky

Using the Sky Atmosphere Editor

Backgrounds and Backdrops

Adding Sound to Your Scene

Setting Cameras

Cameras for Viewing and Rendering

Creating and Setting Cameras

Creating a Camera

Setting Camera Properties

Carrara's Cameras

The Conical Camera

The Isometric Camera

The Spherical Camera

Working with Multiple Cameras

Positioning and Aiming Cameras

Camera Navigation

Pointing a Camera at an Object

Controlling a Camera Directly

Saving and Using Camera Positions

Cameras and Rendering

Setting Lights

Lighting Concepts

Working with Lights

Carrara’s Light Types

Shadow Options

Positioning and Aiming Lights

Positioning Lights by Dragging

Pointing a Light at an Object

Controlling Lights Directly

Using Gels

Light Effects

Light Cone

Light Sphere

Lens Flare

Working with Shaders

Shading

Thinking about Textures as Shaders

What are Shaders?

The Object Surface

Shading Domains

The Texture Room

The Shader Tree Editor

Shader Preview Window

Layer Tools

Managing Shaders

Previewing Shading

Learning from Existing Shaders

Shading Objects

Shading an Entire Object

Shading Part of an Object

Objects with Multiple Shading Domains

Layer Shaders

Using Layer Shader Tools

Working with Layers

Layering: How Layer Shaders Interact

Editing Layer Shaders

Mapping Shaders

Texture Maps

More on Master Shaders

Modifying the Default Shader for a Scene

Creating and Editing Shader Trees

Shader Structure and Content

Shader Tree

Shader Channels

Shader Components

Basic Components

Operators

Function Components

Lighting Models

Mapping Components

Layers List Component

Using Other Components as Functions

Building and Editing Shaders

Shader Recipes

Shader Channels Reference

Color

Alpha

Texture Map with Alpha Channel

Highlight and Shininess

Bump

Reflection

Transparency

Refraction

Glow

Subsurface Scattering

Displacement Mapping

Shader Transforms

Shader Components Reference

Color Pickers

Choosing Components

Common Shader Components

None

Color

Color Gradient

Flash Shader

Index of Refraction

Single Channel

Texture Map

Value

Operators

Functions

Pattern Functions

Bricks

Caution

Checkers (and Stripes)

Formula

Gradient

Plank Shader

Psychedelic

Scanlines

Spherical Gradient

Squares

Tile

Wires

Natural Functions

Terrain Distribution

Projection Mapping

Environment Functions

Slope

Elevation

Noise Functions

Fractal Noise

Noise

Noise Factory

Turbulence

Hair

Layer Components

Animating

Animating

What is Animation?

Animation Principles

Simplifying Your Scenes

Motion and Timing Principles

Key Frame Animation

Tweeners

Animation Features of the Sequencer Tray

Hierarchy List

Frame Rate Selector

Time Information

Allocated Time

Elements of the Time Line

The Time Ruler

The Current Time Bar

Time Scale and Frame Rate

Key Frames and Tweeners in the Sequencer Tray

Overlapping Key Frame Markers

Animation Preview Controls

Animation Preview Tips

Storyboarding

Features of the Storyboard Room

Creating Explicit Key Frames

Adding Key Frames

Editing the Time Line

Editing Key Frames

Using Tweeners

What is a Tweener?

Graph Editor

Mini-graph Editor

Graph Editor

Editing Key Frames in the Graph Editor

Editing Tangents

Additional Animation Features

Animation Techniques

Explicit Motion Method

Animating with Rotation

Duplicating Relative Motion with Groups

Rotoscoping

Synchronizing Movie Frames with Animation and Looping

Motion Paths

Non-Linear Animation

Creating an Animation Group

Track and Clip Menu Commands

Using NLA Tracks

Using NLA Clips

Physics

Physics and Key Frames

About Key Frames in Physics

Applying Physics to an Object

Adding Forces to the Scene

Physics Settings

Animating in Other Rooms

Animating an Object's Shape

Animating an Object's Shape

Animating Vertex Objects

Animating Metaball Objects

Animating Environmental Primitives

Animating Object Motion

Cloaking an Object

Animating Shaders

Animating with Modifiers

Types of Modifiers

Character Animation

Working with Bones

Working with Joints

Working with Skeletons

Inverse Kinematics

Tracking an Object

IK Terminators

IK Chains

IK Target

Editing the Bones Influences

Using the Weight Painting Tool

Editing the Influences Over One or Many Vertices

Examples of Influence

Dynamic Hair and Fur

About Dynamic Hair

Step 1: Add Hair to an Object

Managing Density Maps

Step 2: Create Hair Groups and Grow Regions

Step 3: Assign General Hair Properties

The Hair Toolbar and Tool Tab

Symmetrical Hair Styling

Common Tool Settings

Density Add Tool and Density Remove Tool

Density Paint Tool

Hair Length Tool

Brush Tool

Straighten Tool

Hair Cut Tool

Push Tool

Smooth Tool

Curl Tool

Clump Tool

Reset Shape

Even Hair Segments

Drape

Symmetrize

Paint Selection Tool

Add Guide Hair Tool

Remove Guide Hair Tool

Dynamics Tab

Assemble Room Hair Properties

Using Hair Shaders and Presets

Creating Hair on a Human Figure

Rendering

Rendering

About Rendering

Steps Before You Render

Using the Render Room

The Render Tray

Batch List

The Properties Tray

Rendering the Current Scene

Rendering from a Batch List

Rendering Preferences

Network Rendering

Using Post Render Filters

Rendering with an Aura

Rendering with Glare

Motion Blur

Cartoon Rendering

Getting started with Toon!

Rendering Effects

The Rendering Procedure

Enhancing the Rendering

Speeding up Rendering

Computer System Optimization

Selecting Output Settings

G-Buffers

G-Buffer Options

Choosing Movie Compression Settings

Rendering Statistics

Rendering Engines

Draft Renderer

Photorealistic Renderer

Ray Tracing Settings

Gamma Correction

Global Illumination

Caustics

Misc Settings

Non-Photorealistic Renderer

Overview

Basic Concepts

NPR Parameters

Appendix

Glossary

Tutorials

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