「THE CLOWN」の編集履歴（バックアップ）一覧に戻る

THE CLOWN - (2018/06/13 (水) 12:26:14) のソース

#contents()
#image(THE CLOWN.png)

難易度:中級

*特徴
本作２人目の飛び道具を使う殺人鬼。
ただし、それには殺傷能力はなく、視覚障害などの状態異常を与える物である。
相手の逃げ道を塞ぐ戦法を得意とし、上手く生存者をフックに吊るすことでメリットをもたらすパークを持つ。
持久戦に向いた殺人鬼である。

余談だが、元ネタは映画「オズの魔法使い」に登場するサーカスの奇術師と海外の子どもが怖がるもの(＝ピエロ)、そして、シリアルキラーを作りたいというスタッフの願望を合わせたものから誕生したことが公式の動画で挙げられている。こうした動画がリリース前に発表されたのは今回が初めてである。

*武器
|メイン装備|&image(GK_W01RER.png)|||
|サブ装備|&image(FulliconPowers_gasBombRE.png)|||

*固有パーク
#include(PERKS_CLOWN)

*アドオン

*キャラ説明

*背景
Kenneth Chase was born in 1932 by a difficult labour, which his mother wouldn't survive. This event drove a rift between him and his father that never closed. As the boy grew, so did his father's resentment, and his drinking habit. By the time Kenneth was at school, they lived mostly separate lives. 
Academically, he was unremarkable, coasting by on his significant athletic prowess. He grew tall and strong, excelling at track events, but shunned any attempts to coax him into team sports. 
On his walk home from school, he would often find feathers on the ground and he soon began a collection, keeping them in a cigar box under his bed. With his father either at work or in an alcohol-induced stupor, Kenneth had hours to spend alone, transfixed by the regularity of the feathers' barbs and the feeling of softness as he ran them over his lips. Watching the birds that came to the feeder in his garden, he imagined how soft they must be and resolved to catch one. He ingratiated himself with the local dentist, soon procuring some anaesthetic. Using this, he rigged up a trap on the feeder, that he hoped would knock out a bird long enough that he could touch it. 
After a few failed attempts, he managed to trap a robin. As it lay in his hand, he felt a sudden rush, of a life at his mercy. He had planned to release it once it recovered from the anaesthetic. Instead, as its eyes flickered back into consciousness and it began to struggle, his grip remained firm. His fingers slowly tightened around its throat, squeezing until its chest feathers were finally still. He disposed of the body, keeping just a feather, with which he started a new collection, discarding the others as "fake". 
By the late 1940s, Kenneth had left school and started working as a busboy at a local diner. He had also escalated to larger prey, like squirrels, raccoons and dogs, becoming skilled at customising the anaesthetic dosage for each. 
In early 1954, a young man went missing and the town was turned upside down in the search. A few months later, Kenneth's father, while doing some work in the crawlspace under the house, found a cigar box. He broke it open and saw, to his horror, that it contained feathers, animal paws, and a man's finger. 
Returning from work, Kenneth saw his father leaving the crawlspace with a cigar box in his hands. He turned on his heel and never went home again. 
After a few weeks of living rough, he encountered a travelling circus and, with his prodigious strength, was hired to work the ropes. He assumed a new name: Jeffrey Hawk. 
Suddenly surrounded by a close-knit community, "Jeffrey" had to learn to socialise. He donned a new personality like a disguise, quickly becoming known as charming and helpful, and was welcomed into his new family. 
Over the next decade, he stayed with the circus, travelling the length and breadth of the United States. But, with the itinerant life providing few repercussions, he fell into bad habits. Drinks, junk food, drugs, he indulged in all of them to excess. For a time, these vices were enough, but then his old urges returned and his nomadic existence became a cover for him to resume killing. He stole clothes and make-up from performers, fashioning a disguise that would let him get close to his victims before he anaesthetised them, bringing them back to his caravan, where they would awake to find themselves bound and at his mercy. He would finally get to have his fun, mentally and physically torturing them, their screams fuelling him, before being lost in the night. 
Once their strength was at its lowest, he would carefully examine their fingers, searching for the prettiest, running them over his tongue to find the tastiest. Once he found the best, he would cut it from their hand and proudly add it to his collection, disposing of the rest of the body as pointless waste. 
Men, women, young, old, he didn't care. The essence of a good collection is in the variety, in the memories and stories they evoke. 
He removed the costume less and less, shedding his old personality with it, fully embracing the clown, his true self. 
With time, he became complacent and sloppy. A victim managed to work free of her bindings while he was sleeping off the drink. She escaped, screaming for help, and he awoke to find the rest of the circus bearing down on him. He whipped his horse and the caravan disappeared into the night. 
Since then he has roamed the country, a parasite who could always be found at a carnival or circus, but who would never be seen on any playbill. He lured those brave, or foolish enough, to come near, trapped them and moved on before they could be found missing. 
Somewhere along the way, he left the ordinary roads of the United States behind him, travelling through a veil of mist and entering a new realm. It was a place of transience and impermanence, perfectly suiting the life he had chosen to lead. Feeling more at home than he had in his entire life, he set up camp and waited for his first visitor. 

*戦法

ガスを使って生存者の逃げ道を塞ぐのがメイン戦法。
板や窓の周辺で左右に1個ずつ投げて2択を迫り、迷っている間に接近して切りつけるのが強力。

また移動速度減少の効果は加速系perkを相殺するので発動前のタイミングを見極めてガスを当てられれば非常に強い。
（※ダメージブーストは相殺しないので注意）

「BAMBOOZLE(まやかし)」による窓枠塞ぎと合わせると徒歩キラーとは思えないほど板・窓の攻防が強くなる。

*対策

まずガスを投げてくるタイミングを覚えよう。

板周辺でにらみ合いをする時は確実に1・2回ガスを投げてくるので、投げている間にその場から離れるかガスの効果範囲を避
けて板ループに入ろう。

また板の真上で待機して冷静に板を使用するのも相手が嫌がる動きなので、視界がぼやける中ループする自信がなければいっそ地道に板を倒していくのも良い。

もし自分がDS持ちオブセの場合、高確率で足元にガスを投げてから担ごうとするので状況次第でDSは温存した方が良いかもしれない。

&youtube(https://youtu.be/Ztx3Ryo_nY4){500,350}

----
*コメント
#pcomment(reply,new,20)
最新20件を表示しています。[[ログ全文>コメント/THE CLOWN]]
コメント左側の◯をクリックしてから書き込むと、レス形式でコメントできます。